Variations on a Theme (Variasies op ‘n Tema)

An elderly goat herder, Ouma Hettie, who lives in the mountains of Namaqualand, is haunted by the ghost of her father, a man who went to fight in the Second World War and was paid for his sacrifice with just a bicycle to return home on. The villagers around her share this history: men who returned from war empty-handed, and whose descendants still bear the economic consequences generations later.
In the present day, this legacy resurfaces in another form of deception. Scam artists arrive promising them the “social relief fund” they’ve all been waiting for. The catch? There is an “application fee.” Ouma Hettie gathers what she can to pay for it. Then they vanish. And so, once again, she waits.
Her waiting is interrupted by the arrival of her family for her 80th birthday. They mean well, but their visit disrupts the fragile order of her days, the careful routine she has built up for herself over years of solitude. They want her to move to the city, to give up her independence, to let go of the land that has defined her entire life. Out of concern, she’s told she’s getting too old, she’s forgetting things, and she cannot live independently anymore.
The film unfolds over a recurring visual structure inspired by the musical compositional form of “Theme and Variations.” Each day repeats the same series of compositions, a certain number of fixed frames captured over five days, within which the smallest details shift and transform. The framing remains constant, but the life within each shot changes: gestures, conversations and small movements become the material of variation. These variations accumulate new meaning, tracing the rhythm of waiting and the subtle peaks and troughs that define her days. Shot with a painterly stillness and accompanied by a score that develops through its own musical variations, Variations on a Theme observes how a life on the margins continues to replay the same unresolved histories, each repetition both the same and entirely new.
Thank you to our screening partner: Africatown Economic Development Corporation.
Screenings
Virtual
Directors Spotlight

Jason Jacobs
Director
jason Jacobs, is an indigenous storyteller from Namaqualand who weaves cultural heritage into contemporary narratives. He is the South African National Standard Bank Award winner for Theatre 2026. His acclaimed work spans film and theatre. Jacobs co-wrote and co-directed Carissa, Al Wat Ek Weet & Variations on a Theme winning the 2026 Tiger Award at Rotterdam and Best African Film at the Joburg Film Festival, alongside a SAFTA for their collective, KRAAL. His early theatre trilogy won the KKNK New Voices award and his won numerous awards in theatre including a Wordtrofee for best script. Committed to community healing, Jacobs continuously collaborates to amplify Southern Africa’s living herstoriographies.

Devon Delmar
Director
Devon Delmar and Jason Jacobs are co-writers and co-directors under KRAAL. Their second feature, Variations on a Theme (2026), won the Tiger Award at the International Film Festival Rotterdam and Best African Film at the Joburg Film Festival. Their debut feature, Carissa (2024), premiered in Venice’s Orizzonti section.
- Year
- 2026
- Runtime
- 65 minutes
- Country
- South Africa, Netherlands, Qatar
- Language
- Afrikaans
- Directors
- Jason Jacobs, Devon Delmar
- Screenwriters
- Jason Jacobs, Devon Delmar
- Producers
- Annemarie du Plessis, Jason Jacobs, Devon Delmar
- Co Producers
- Mira Mendel, Nikki Thie
- Cast
- Hettie Farmer
- Cinematographer
- Gray Kotzé
- Editor
- Devon Delmar
- Production Design
- Cleveland Hopp
- Composer
- Mikhaila Smith
- Sound Design
- James Olivier
- Premiere
- Philadelphia